Thursday, January 19, 2006

Interview with Actor/Producer Daniel Sol



Film Synergy: Where are you from and where are you now?

Daniel Sol: I am from Miami, Florida born and raised, I moved to LA 5 years ago...So I obviously live in Los Angeles, Ca. North Hollywood to be exact. Allow me to add that my parents are from Los Angeles, as are my two older brothers, and one of my brothers lives here in LA, he is an actor, so I have always liked Cali, and I lived here for a few years as a child, and our family always visited LA, so I have had ties to this area for some time...

FS: What are your beginnings with film?

DS: Well, its hard to say. I have worked with Director Dave Branin for the last three years on various short film projects, some for fun, some with a budget. We collaborate on everything from scripts to ideas on new films to business ideas...we are close friends both working on the same things, one can say we are in this together, learning new things about our abilities and about what we want for a career...Anyhow, before anything I have done in Los Angeles, my friends and I used to make home movies, skits and things like that, with a Hi8 video Camera. It was a blast! We played crazy characters, dressing up in my grandmother's old clothes she had from the garment company she worked for, so she had old trench coats and blazers and stuff from the 70's and 80's, it was like a vintage store in our own home, and with these clothes we would make up characters and film improv short films all night...My mom hated it! We would wake everyone up shooting scenes at 5am, we would be whispering lines. I guess that is where I realized how much I enjoyed the idea of creating characters and stories. It was an escape.

FS: We have seen the wide variety of characters you play, from an unknown dark character with basketball skills in Shoot-Out to a Spanglish pimp in What Happened to the Toilet Paper? How do you come up with such characters? Take us through your preparation as an actor.

DS: Well, it depends, I am not a trained actor so I don't use a Strasberg Method or anything like that, I just try to let myself go with a character. I think the key to any acting is one thing: You must let go. Any fear or apprehension must be let go. With "Shoot-Out", I let Dave direct me, and I trusted that, because normally I am a laid back person, and in this film I had a character with a purpose, who is very stern, a man on a mission. For other films like "Toilet Paper", I just got lost in the fun of playing a man who is basically like a car salesman, sleazy and friendly but untrustworthy. I know some Spanish, and for the pimp character I used what Spanish I knew combined with what I have seen from my Spanish side of my family, the machismo dialogue, the loud life of the party types like my Uncle Jose, he is like that, so I used those elements to come up with the character.



FS: Tell us about your movie "Shoot-Out." The buzz for this movie is building. What has happened so far with it and what do you have planned next?

DS: Ah, Shoot-Out. Well, right now we are building the website for Shoot-Out, to go along with the trailer (located below), and then the DVD, which is to be sold through the website. This all should be ready in the very, very near future. The plan is to sell a lot of DVDs! We are confident in this project, so we believe this is the best way to get ourselves out there. We believe we can expose the DVD, as well as gain exposure for ourselves, by any means necessary. Especially through internet promotion, which has become a bigger factor in film distribution on an indie level. This way, we can gain an audience that would otherwise have to come only through film festivals or a distribution deal, which would be a much slower process. The film is still in the process of making it through the film festival circuit, but we won't sit around waiting for that, we want to keep on pushing. The film recently screened at the Eureka Springs Film Festival.

Image hosting by Photobucket
^To see the "Shoot-Out" movie trailer click on the Poster above^

FS: You are also the co-founder of the HollyShorts Film Festival. How did that happen? You had your inaugural festival this past August. Tell us more about it. Are you planning another one?

DS: HollyShorts Film Festival came about from our desire to make a difference, to have a say in this business and town. In LA, alot of people are big talkers, but they do nothing. So my good friend Theo Dumont and I decided we would put together this festival, knowing we had many resources and contacts in LA and NY and Miami. Our first goal was to get as many submissions as possible, which we did by contacting all and any filmmakers we knew or saw online. The demand is out there, I think what we learned most from all this is that people want to screen their films in front of an LA audience. Anyhow, once we received the submissions, we booked a small theatre in Hollywood and bought a projector and sound equipment. Once everything was in place we set a date, contacted the press about our event, selected the films and the rest is history. The event was great. We sold out both days, we had industry presence, and we had Q and A sessions with directors and casting directors, which worked well because the Space Theatre is intimate, so the sessions were involved. We also coupled the event with a press party at the Bungalow Club on Melrose in LA. We have over 200 industry people at the event, which was a big goal of ours, to have fellow directors of short films discussing their respective projects with each other, etc, etc. Plus, Theo is a publicist, so he was able to bring some press to our event, so we have a few write ups on websites and a write-up in the Studio City Sun. Since the event was so positive, we are planning on next years event right now, with goals of a bigger venue, more prizes... www.hollyshorts.com is our website which we are building right now, and we will be selling "The Best of HollyShorts 2005" DVD coming soon. The winning film was "DICK the short" Directed by Rufus Dorsey, check out his website www.dicktheshort.com for more...



FS: With all you have done, what have you enjoyed the most?

DS: Well, whether it has been doing extra work on the set of THE AVIATOR or making a short film like SHOOT-OUT, I have always enjoyed the element of surprise I can get when working around and or being around the making of a film. The feeling that we are or I am seeing something new being born, something fresh or new, like a set decorator creating a 1950's scene or running lines with an acting partner and finding a moment where we get lost in the moment and create something. It all comes back to the fact that only here, in Los Angeles, with all these creative minded individuals around, anything can be possible, and when working making a movie, acting or working on a crew, I have been able to get surprised every time. That is not always possible in life, certainly not at some 9-5 job. The filmmaking process, and especially acting, helps me, and I think others, cope with all of realities boring harshness. The time I have spent making a movie or acting in these films I have felt myself escape everything and get peace through being creative...If that makes any sense! Basically, the experiences have been worth it.

FS: Where can we expect to see you next? What are your upcoming projects?

DS: Other than helping promote and sell Shoot-Out through www.dreamregimeproductions.com, I am heavily focusing on The HollyShorts Film Festival, which will be taking place at CineSpace in Hollywood August 11-13th. We are excited to be hosting a big event at such a prestigious and known independent film location, one which supports underground films and shares our thoughts on giving filmmakers a platform to show their work, along with a place to mingle with individuals in the industry. Right now we are working on our early bird Call for Entries, which will be at or around the end of Jan. For more on that, and for those interested in submitting your short films, go to: www.hollyshortsfilmfestival.blogspot.com That is where one can get our contact information and find out more about our website, which will be www.hollyshorts.com. We are looking to make this festival bigger and better, with more sponsors (Writer's Store, New York Film Academy, etc.) and more prizes for the best films, as well as an added screenwriting competition, that is in the works. All that coupled with more industry involvement, this years festival should be a great event for young filmmakers and people just interested in good short films! Not to mention live music, as we will have numerous bands on hand for an added experience. That is it, oh and I can't forget our HollyShorts Best Of 2005 DVD, which we will be distributing through indiepix.com. We selected our 6 best films from the past festival to be on our distributed DVD. The DVD is currently being built as we speak, and should be ready for purchase in the next few weeks. To purchase, just check our site out or email us at hollyshorts@hotmail.com What we want, what we envision, are when filmmakers discuss which film festivals they want to submit their films to, they mention the HollyShorts Film Festival in that category, annually.



Thats it, Film Synergy, thanks so much for the time, and everyone,
thanks for actually reading this, and please continue to support Indie film!

Friday, January 13, 2006

Are you "America's Next Top Model?"


BIG NEWS - America's Next Top Model is again holding castings all over the country. They will be starting auditions in NYC next week. If you live in the New York Area & think you are appropriate, please feel free to send us an email. You MUST INCLUDE FULL LENGTH PHOTOS, your age, contact information, name, height,weight, where you live and info about yourself. You MUST be 18-27 yrs old and you MUST BE over 5'7 to be considered-no exceptions. If we DO NOT not get back to you via email or you do not live in the NYC area, please attend the auditions in NY and those being held around the country. We have listed the locations below. We have NO FURTHER INFORMATION at this time regarding the locations or audition process. You must keep checking the website to find updates on the exact locations and audition information. Thanks so much Lisa and Debbie Ganz.

Here's our website: www.twinstalent.tv

EMAIL US ONLY AT: Twinsworld1@aol.com

AMERICA'S NEXT TOP MODEL
www.upn.com
Saturday, January 21 - New York City, NY
Wednesday, January 25 - Wichita, KS
Saturday, January 28 - Phoenix, AZ
Tuesday, January 31 - Minneapolis, MN
Saturday, February 4 - Dallas, TX
Tuesday, February 7 - Memphis, TN
Saturday, February 11 - Miami, FL
Tuesday, February 14 - Cleveland, OH
Saturday, February 18 - San Francisco, CA
Saturday, February 25 - Los Angeles, CA

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Sunday, January 01, 2006

Happy New Year from Film Synergy!


We have been away for the holidays. Thank you for checking back with us. We wish you a wonderful 2006 and we will be back with you shortly!

Tuesday, November 22, 2005

Update on Filmmaker Jamin Winans


"Spin" Fans,

"Spin" is finally available on DVD! You can finally see it on a screen larger than a credit card. Yes, I know what you're thinking, "What a perfect Christmas gift for everyone I know!" Well don't be shy. For just a limited time (several years) we have the "Spin" DVD available with amazing bonus features like:

- A pointless director commentary from writer/director Jamin Winans
- Less than impressive behind the scenes stills of the production
- Shameless plugs for our other films
- And the new extended and long awaited trailer for "11:59" (That's right, see it here first)

Wow, what does all this cost? For just one easy payment of $12.99 (US) plus shipping and handling "Spin" can be yours, just click below to order. ORDER HERE "Spin" will soon be on its way to your house, or friend's house, or enemy's house if you really don't like the movie.

Don't forget, "Spin" is also a great stocking stuffer as well as shelf decoration, coaster, door jam, paper weight, serving dish, and our favorite, wallpaper when you buy hundreds of copies.

The Double Edge Films Folks Double Edge Films

Wednesday, November 16, 2005

TONIGHT!!! La Peña Cultural Center presents El Velo de Berta / The Veil of Berta



A film by director Esteban Larraín about the Mapuche resistance to the Ralco Dam on the Bio Bio River in Chile. Jeannette Paillán, Mapuche filmmaker and producer of the film will be at the screening for a Q&A period. Wednesday, November 16, 2005. 7:30pm. Suggested Donation: $5 - no one turned away for lack of funds. At La Peña, 3105 Shattuck Ave. in Berkeley, CA. 510-849-2568 www.lapena.org

The Veil of Berta, is a delicate narration of the story of Berta Quintreman, an elderly indigenous women who at the age of 88 lead the last group opposing the constrtuction of the Ralco project, a gigantic dam that will stop the flow of the Bio Bio River, and flood the land where her native Mapuche Pewenche community, Ralco Lepoy, have lived for centuries.

A woman with a strong personality and a unique blend of humor and energy, Berta lives alone on her small pieces of land, and observes all the traditions of her people. On a daily basis she greets the trees and the sun, takes mate (a typical herbal tea) with her dead and says her prayers. But at the same time she confronts the authorities of Endesa and the government, manages to halt the machinery and works together with other families to prevent the flooding of their land.

Awards
Joris Ivens Competition IDFA 2004- Holland
Ramsar - Award, Best Documentary
V Festival Ecofilms, Greece
1st Mention of the Jury 3 Continents Film Festival, Italy

Jeannette Paillán, Director of the Mapuche community organization Lulul Mahuida, is a Mapuche filmmaker and journalist. She served as festival coordinator of the 7th Festival of Indigenous Film and Video (2004, Santiago, Chile). Her films have been screening internationally since 1994, and her documentary Wallmapu, the first documentary entirely directed and produced by Mapuche, was awarded at the 2003 Human Rights Film Festival in Buenos Aires, Argentina.

Thursday, November 10, 2005

STORM (Saturday, November 19th)



Chillin Productions and Effection Presents:

STORM
Raising funds for Habitat For Humanity and Rebuilding Together

Featuring:

100 Fashion Designers
+ 20 Fashion designers on a 60 foot runway
60 Artists

Film by Microcinema International
(www.microcinema.com)

Music by
DJ Jax, Dirtyhertz, Dave Madix, Kerowack, Splice
(www.Throwdown.com)
Lars (The Slanted Door) + More

When: Saturday November 19, 2005
From 8:00pm- 1:30am
Where: Fort Mason (Enter at Buchanan and Marina then go to Herbst Pavilion Pier 2)
www.fortmason.org

$10 minimum Donation (100% of the money will go to Habitat For Humanity and Rebuilding Together for those effected by the recent Hurricanes.


Must be 21+
For more info about the show go to:
www.chillinproductions.com
www.effectionsf.com
Sponsored by the SF Weekly

Friday, November 04, 2005

Interview with Filmmaker Jamin Winans



FS: What are your beginnings in pursuing film? What made you get started? What keeps you going?

JW: I was interested in filmmaking since I was 10. We didn’t have a television most of my childhood, so naturally I was very interested in it. I started making movies with friends and by the time I was 13 I was hooked. Like a lot of kids I made a lot of really fun and really bad short films by shooting VHS and editing on two VCRs. But by the time I was 17 I was attempting a lot more dramatic work and made my first VHS feature film.

I’ve kept going because there’s nothing I enjoy more than storytelling and the art of filmmaking. Almost every part of the process is painful, but there’s something incredible about making your dreams a reality.

FS: Storytellers know that great stories are found in drama. Before we move forward with everything exciting you have going on right now, take us back to the times where you were struggling. What adversity have you overcome? What obstacles do you still face?

JW: That’s pretty funny. Back when I was struggling… you mean now? I would say the struggle now is as prominent as ever. The first big struggle is raising money, it took us 5 years to get a very small amount of capital to make our first feature, “11:59”. We handed out business plans to every breathing soul we knew, and everyone in the world laughed in our face. So in the meantime we made short films that ended up getting us some critical acclaim and press and helped us to secure financing for “11:59”.


------------On the set of Jamin Winan's "Spin"

FS: Your latest film, a short project entitled "Spin" (One of the more creative short films we have seen) has blown up all over the internet. It's been seen by more viewers than we can count and isn't slowing down. For those unfamiliar with it, can you tell us what it is about? How did you come up with the idea?

JW: “Spin” is an 8 minute film about a DJ who has the power to fix tragic events with his turn tables. I was at a hip hop show to see my friend Hayz II scratching records. Hayz played a part in “11:59” and we had gotten to be friends. When I was at the show, I became really interested in the emotional power a DJ has at the tip of his fingers. The idea started there and I played with it for a couple months before I came up with the script for “Spin”. I asked Hayz if he would play the lead and we were off.

--------------------

FS: What was the shooting schedule like? What was the budget, what did you shoot on, how large was your crew?

JW: I made “Spin” completely out of pocket. Generally short films don’t make any money, so it’s very hard to get investment. So we only spent a little over $500 making it. I have a couple of very good producers and a lot of very good friends with resources. Everyone donated their time for a couple of weekends and we got it done.

We shot the “film” on the new Sony HDV camera which is a high definition camera. Our crew was made up of about 7-10 people depending on the day.


FS: What we find fascinating is that you made "Spin" after your feature film, “11:59as a way to generate more support for "11:59." Did you imagine before you shot "Spin" that it would generate as much buzz as it has? It appears that "Spin" has accomplished what you wanted and then some. What is the very latest news with Spin?

JW: Yeah, we shot “Spin” as a way to generate attention for our work, primarily “11:59”. It’s taken a very long time to finish and release “11:59” so we wanted to give our fan base something to watch in the meantime. We released “Spin” on our site thinking that maybe around 10,000 to 30,000 people would watch it. Within a week of it’s release, at least a half million to a million people watched it and crashed our server. There was a point where you couldn’t get on our site because 300 other people were watching “Spin” at the same time. It was ridiculous.

Fortunately AtomFilms was more than happy to take some of the traffic and soon after we released it on Ifilm. We have no idea how many people have watched it, but we think it’s probably between 5-10 million by now. So yeah, it definitely did more for us than we ever expected.


FS: You completed your feature film, "11:59" in 2005, it premiered at the Montreal World Film Festival, won the Narrative Feature Audience Film Festival Award at the Kansas International Film Festival and will play at the Annapolis Film Festival
in November. Was this your first feature film? What is its premise?

JW: “11:59” is about a jaded young TV photojournalist who has just broken one of the year’s top stories. He’s at the top of his career when suddenly he wakes up in the middle of nowhere and has no idea how he got there. It turns out he’s been missing for the past 24 hours and now he has to piece together what happened in the lost time.

“11:59” is my official first feature. I made two other “features” as a one man crew on VHS and two VCRs when I was 17 and 19, but I don’t think I can really count those.

--------------------
---------------Click on the Poster to view the 11:59 Movie Trailer

FS: It was a 7 year journey to complete "11:59." How does it feel now that it is completed and to have it receiving positive response from the audiences who have seen it? Which is more important to you, completing the project or it receiving praise?

JW: To have the film completed is a relief, but all new pressure begins once your film is completed. The distribution struggle begins and that’s almost more exhausting than the filmmaking itself.

Receiving praise is always nice though I never expect it. I try as hard as I can to not worry about the audience and just make the film I want to see. Once that’s done, I’m always happy if it’s the film other people want to see too. If not, well at least I still got to see a good film.




FS: What is the very latest on “11:59
”? What is happening with it and what do you have planned?

JW: Currently we’re trying to get a few different distribution deals. It’s a tough sell because it’s considered a no-name “hybrid”. In other words, we have a film with no big name actors and no specific genre. Our film has elements of action, drama, and suspense, but it doesn’t fall into any one genre. Most distributors are looking for name actors and horror, action, or erotic genre films. They want something they don’t have to work hard on or spend a lot of money to market. They want to throw the film into a bloody looking box, throw a star on the front and walk away.

I don’t think the distributors are wrong in doing this. Filmmaking is a very high risk business and the only sure things are stars and genres. However, there is a huge thinking audience out there that wants to see something different and non-formulated and that’s what a lot of us independent filmmakers are trying to give them.

If we don’t get the distribution deal we want, we plan to 4-wall the film, meaning we’ll distribute the film ourselves one theater at a time starting in Denver, probably in February or March of 2006.


FS: What kinds of films do you aspire to make? Please elaborate.

JW: I love films that don’t spell things out. The problem with a lot of the current blockbusters is that they totally underestimate the intelligence of the audience. I like films that you don’t totally understand until you’ve gone home and thought about it for a while, or you have to watch more than once. So I hope to have that quality in all the films I make.



FS: What are your upcoming plans? Future projects?

JW: For the next couple of months we’re focusing on exhibiting “11:59”. We have a couple of shorts we’re planning to make, but not for a few months. Our big project is another feature that we’re currently calling “Ink”. It’s a fantasy/drama about the nature of evil. It’s not like anything I’ve ever seen so stay tuned.

FS: Please leave us with your thoughts to young filmmakers who cannot get themselves out of neutral. What advice can you give, what experience do you have that you can pass on?

JW: The first advice I would give other new filmmakers is to be absolutely sure this is something you want to dedicate your life to. Filmmaking isn’t like pursuing a normal career, it’s highly competitive and if you don’t pursue it 200% then you’re wasting your time. If you like making fun little movies with your friends, keep it at that. But if you want to make a career of it, jump in with both feet and persist, because it’s not something you can be lukewarm about.

Aside from my disclaimer, my overall advice (as if I’m in the position to give it) is to be persistent, live as clean a life as you can, and never let anyone tell you what you can’t do. They’re all wrong.


468C

Sunday, October 30, 2005

Interview with Music Composer Aryavarta Kumar



FS: How early did you begin developing your musical talents? What role did your parents play if any?

AK: I started playing piano when I was 8 years old. But even before that, my parents have said that I used to create my own drum set and bang on toys to make sounds. They were very supportive of my music lessons. I never really asked to learn piano, they just signed me up just like everyone else does (haha). But after going beyond the more beginner lessons, I really showed an interest to continue playing the piano and they were always there to support my performances.

FS: How many instruments do you play? What styles of music do you make?

AK: I was trained on the piano to play Western classical pieces, but I also play the sitar and tabla (Indian Hindustani instruments).

One of the unique things about modern music composition and computers is that software synthesizers have created the ability for musicians to'play' instruments without ever actually picking them up. Let's take an example.

I don't play the violin, but if I buy the rights to a violin library that has been sampled over its entire range, I have every note in almost every type of stroke sampled. I can recreate a very realistic sound forming compositions and film scores as a result.

As far as style, I am always exploring new genres. I primarily stick to orchestral and underscore material, but if need be, I do write songs and source music (I'm doing this on an upcoming project). One of the joys (and to some the curse) of film score music is that it can be any genre of music - orchestral, rockabilly, Middle-Eastern ethnic, bluegrass, electronic, you name it. The main goal is for the music to amplify the audience's perspective of the media it is accompanying.

FS: Where does your passion for music come from?

AK: That's an interesting question. It can come from inspiration that I see everyday. A beautiful scene that I see outside my car window, a unique thought, anything. Creating inspiration leads me to think in terms of musical notes, harmony, and melody.

FS: You are turning your music from a hobby to a profession, what steps did you take along the way to make that happen?

AK: Great question. It's an interesting point that a lot of people ask. Everyone finds their own path towards where they want to go. I made sure I was sure of what I wanted to do, honed my skills, and then worked with some filmmakers on their projects. I really enjoyed it and those directors and producers were extremely happy with my results. Collaborations continued and my reputation grew. Something that is important is knowing the business of film scoring. I'm still learning a great deal about the process, but it's equally as important as the musicif you want to become a professional.

FS: You have studied music in different countries, have played in rock bands, and you are now composing music for film. Do you have an outlet you prefer? Is composing music for film the ideal situation for you or would you prefer to be part of a touring rock band?



AK: I would say that I prefer writing for film. I have always liked how music in film can really influence your mood, especially with powerful cinematography. It's been my dream to create music that suits that. Those are the movie experiences that people never forget. I occasionally do live performances of my work where I will do live improvisations. For example, I recently played at a Chinese Moon Festival and also at a wedding and at both places my music was well received.

FS: How many films have you scored thus far in your career? Tell us about some of these projects and your involvement with them.

AK: I would say probably around 14 shorts, features, and trailers, and that number is going to grow significantly over the next year.

Early on, I used to score films exclusively online. So I would find someone who needed music for their film and communicate via email and send samples online to them. It was strictly an online collaboration.

Then I found some local filmmakers here in Cleveland, Ohio and started collaborating with them. There is a superb independent filmmaking community here in Cleveland that is very supportive and I was pleasantly surprised to find it here of all places! My more recent collaborations have been a balance of online jobs and local jobs. The local ones such as A Joker's Card
(http://www.mdifilm.com/joker), Killer Squirrel, Alone (http://www.twomartinis.com/), were fun to do because I could go on set and meet the cast and crew and be part of the production in process.



It also helped me get inspired when it came to scoring the piece. In particular one of the unique aspects of meeting one on one with a director is that you can have discussions about the music, and have scoring sessions in which the director can give you feedback on if he/she thinks the music is what he/she was thinking. With online collaborations that is still the case, but it's done via email.

FS: How does the scoring process happen for you? How do you go about making music for film? Do you work directly with the filmmakers? Can you take us through the first meeting all the way to the final note?

AK: Sure. The scoring process begins differently for every project. Usually I like to get involved early on, read the script, and discuss various inspirations for the script-writer/director. This helps me piece together a thematic outline of what the music should be. For example, which characters should have themes, what kind of main theme should there be, etc.

After that, it's all about writing non-synced demos (music that isn't linked to video) and getting approval from the director/producer. I don't really start scoring until I get a locked video file or DVD that will not change. Sometimes this happens in parts so I get only a few scenes at a time so I'm not overwhelmed with 90 minutes of footage.

Getting the right theme is of course quite important. I usually end up playing various themes and tossing out quite a few before arriving at one that I feel is a perfect fit. Sometimes this comes right away, other times, it's more work than I expect :)

Beyond that, it's using various musical devices to restate the theme, or create a certain mood. I watch the picture and usually I can already hear what the music should sound like.

Then I write the score, record and master it, and have a scoring session. After that I am done with the scoring job unless there is going to be a soundtrack release in which case I stay involved a bit longer to make sure the music is appropriate for the CD or for online sale.

I've sort of outlined the entire process and some directors approach me in post-production so I'm really only involved at the very end stage. It's all about working with various styles of directing, various work ethics, and with different people.

If the cast and crew is large, I can work with music supervisors (if there are any), directors, producers, and anyone else that has input into the selection of music.

More recently I've come across some films that use rock songs for example in transitions and I usually stress that it's important to maintain musical flow in the movie. Sure, a piece may sound great on radio and you may want to put it in your movie, but just make sure that you've got other reasons for putting it in so that it fits well.



FS: Is there a place where we can hear your music?

AK: Yes. Visit my website (http://www.aryavartakumar.com/) to hear some demos and see what films I am scoring. Some of those movies are available to watch for free online. So if you have time to kill, why not enjoy a free movie! Certain projects have soundtrack releases and if you're interested in buying a copy, there are links from my website. Also, if you happen to go to an event where I am performing, you can hear some of my live improvisations.

FS: What are the next projects you are working on? Where will we hear your music next?

AK: Right now I'm quite busy with several music projects in the Cleveland, Ohio area. Some of the next projects I'll be working on include Crops (Two Martinis Productions, Cleveland OH) tentatively out in April 2006, Batgirl (Chi Media, Nottingham, UK) tentatively out in December 2005, and Joker's Rapture (MDI Film, Cleveland OH) which will probably be released later in 2006 or early 2007. Those are some main features projects that I'm working on now, but there will be plenty more shorts and other projects that will fill my schedule.

I'm always looking for new interesting collaborations though.

The Rolling StonesAlicia KeysPodcast

Saturday, October 22, 2005

NEW MR.T SHOW



DOES YOUR FAMILY, BUSINESS OR ORGANIZATION NEED HELP FROM A SUPERHERO WITH A MOHAWK?

We are looking for a fun, charismatic, real-life "cast of characters" that live or work together - but who have some issues that get in the way of progress. What could be the concern? ie: lack of motivation, bad organizational skills, too many big personalities, office politics, constant miscommunications, or situations where there is so much red tape that nothing gets accomplished. Does this sound like your family business or home life? Maybe a car dealership? Your PTA organization? Or that bureaucracy that you just HAVE to deal with?

If this sounds familiar, Mr. T is ready to rock your world and help you do a better job of whatever it is that you do. Mr.T will mix tough love and compassion with his expert knowledge of teamwork in order to help businesses or families to communicate more effectively with one another and to get the job done, T-style!

Please email: Twinsworld1@aol.com and put MR.T in subject title...
(Include your name, contact info , where you live, and a description

of your situation, and we will get right back to you!
Ideal locations will be within 100 miles of New York City)

One_120x240One_120x240One_120x240

Sunday, October 16, 2005

Interview with Filmmaker Jeremy Osbern



FS: You have made over 40 short films and are now working on your first feature film. Please share with us your beginnings.

JO: My very first project was a video that I made at the age of 15. All I
had was a borrowed Hi-8 camera and no way to edit. I wrote a script that
was a comedy set in a church, and then dressed out the basement of a
friend's house as our set. I cast my friends and my family and I edited
in camera, even to the point that I'd have a character say their line up
until two words from the end. They'd stop. I'd stop the camera, change
angle, start the camera and have them say their last two lines. I was so
excited when that worked. Then, when the video was shot, I made simple
animated titles in QBasic on my computer at the time (I think it was a
386...yeah that old) and then taped them off the monitor. After that I
moved on to VCR-to-VCR editing, then non-linear editing, video to DV to
16mm and now we're shooting our current project on 35mm.

FS: Where does your passion for filmmaking come from?

JO: Ever since I can remember, I've been telling stories, reading stories,
writing stories, watching stories. I still write stories all the time.
Shorts, novels, screenplays. Filmmaking is one of the most fascinating
outlets for me as an avenue to tell stories. It's closest to our
sensorial perception of the world, and I think if you do it right,
people can relate more to stories told in that medium. But you have to
do it right!


FS: Speaking of passion, you wrote and directed a 16 minute short film
entitled "The Passion" that won many awards on the Film Festival
circuit and brought you acclaim. What can you tell us about that
project? What were some of the lessons you learned from that film?


-------------Poster from "Passion"

JO: I made "The Passion" while I was at film school at the University of
Kansas. It was this experimental, over-the-top dramatic opera that
featured two people in their underwear, relating their feelings and
fates to one another by writing them on each others bodies, and set to
tango music. We took a 30-hour production weekend and shot it on the
school's soundstage on 16mm. I sent it to festivals and people seemed to
like it. It premiered at the
Palm Beach International Film Festival, and
played before The Pianist, with Adrien Brody there, but when "The
Passion" showed, it was mainly old women in the audience. It was a sea
of gray hair, and I was kind of paranoid when the film ended how all
these octogenarians were going to react to half-naked twenty-somethings
dancing in a black void, but afterwards, they came up to me, and they
loved it. One of them said, "Your film touched me like I've never been
touched before," and then she smiled and walked out. I don't know if
I'll ever have a reaction like that to a film again. But somehow, those
little old ladies got some word of mouth going. It also probably didn't
hurt that a reporter from Aint-It-Cool News was there and gave it a nice
review.

The most important thing I learned is that if you're an independent
filmmaker: send your work to festivals. Festivals hold so many
connections. They're absolutely invaluable for anyone wanting to work
outside of filmmaking hubs like New York or LA. Hell, everything at most
of the festivals I went to were made in New York or LA, so when I said I
was from Kansas, it even more so made my film stand out.


FS: You were born and raised in Kansas and went to school there.
Obviously is it close to your heart as you now embark on your first
feature film set in Lawrence and Kansas City. We are excited to learn
more about this latest project of yours, "Air."

JO: Kansas has definitely played a huge role in my life. Especially my
hometown of Lawrence, which is just outside of Kansas City, and home to
the University of Kansas. Lawrence is such an odd and weird town, and I
love it. It's home to people with blue hair, guys who spend more time on
stilts than not and people who walk their ferrets on leashes downtown.
The characters that comprise "Air" I'm sure are drawn from my
experiences in this area, and I think it makes them more organic. At
least I hope it does.




FS: What is it about? What kind of film is it? What are the nut and bolts of it?

JO: The film consists of three interweaving love stories that focus on
people who feel out of place in the world. We show this physically. The
world literally falls apart around them. We show in the film that
there's a rhythm in life, and when the characters aren't in sync with
that rhythm, everything around them starts to deteriorate. It's also a
musical, which aids in people suspending their disbelief as things catch
on fire and fall apart. We're striving to make the first modern musical,
and Steve Unruh, who's writing all the music for the film told me that
he hates musicals, but he can't wait for this one. Hopefully, that will
be the reaction across the board!

We're shooting on 35mm film, and we're shooting as money comes in. It's
a long process, but I think that by having intervals between shooting
dates, we're given the time to make sure all the details are right. We
want this film to be as best as it can. When we first set out to make

this, the Producer Chris Blunk and I said that we wouldn't allow
ourselves to make any compromises in the story or the realizing of that
story visually. And we still haven't.



FS: How did you decide to make this story? How many ideas were you
considering and what was it about "Air" that made it the one. Have
you second guessed or doubted yourself in choosing "Air?"

JO: The elements of "Air" had been in my head for years. I've written a lot
of screenplays, but these ideas kept coming back and I sat down and
wrote out the first draft in ten days. Chris read it, we revised it, and
knew this was the one we wanted to make as our first feature, and we
haven't second guessed it since.

FS: How far along is this project?

JO: We've finished two-thirds of the film. We're going to hold off on the
remaining portion until the Spring of 2006. Chris and I are getting a
lot of other work right now, both features and commercial work, so we're
going to plan during the Winter and shoot out the remaining third in two
weeks next Spring, when the leaves are green again.



Doug Kisgen and Granvile O'Neal having fun on the set of "Air."

FS: You have learned how important buzz can be for your projects. What
steps are you taking to create buzz for "Air." What else do you have planned to draw people to this project?

JO: We've actually received a huge response to the teaser trailer that we
put up on our website
(http://air.throughaglass.com), which is exciting.
In the coming months, we'll hopefully have all sorts of behind-the-scenes footage up there too. We've done some pretty elaborate things for this film, prop-wise, logistics wise. Including melding cars together, lighting a car on fire, shutting down streets, rigging dozens of lights / sandbags to fall across a theater stage, having a restaurant catch fire, fill with smoke and having our home-made sprinkler system go off and soak our main actress, etc. I think showing some of that process will make people excited about seeing the end result as well.

To view the trailer to "Air" click here, Air Movie Trailer

FS: What kind of project would you like to make next?

JO: I have a lot of films that I want to make. It'll just depend on where
the cards fall, after we're done with this one.


FS: What is on the horizon for you?

JO: For "Air", I'm acting as Director and Director of Photography. I'm
getting a lot more DP gigs right now, so in the immediate future, I'm
looking to shoot as much as many projects -- features, commercials, etc
-- as I can until we finish "Air" and then get started on our next one.
And, as always, people can get the play-by-play for whatever we do, at
our website:
http://www.throughaglass.com

Thanks for talking with me, and best to you and your readers!

SwirlSwirlSwirl

Friday, October 14, 2005

”Colorado Writer/Filmmaker Targeted for LA TV Show”



Centennial, CO - October 14, 2005 – Colorado Writer/Filmmaker Don Vasicek (Faces, Warriors of Virtue, Born To Win, Haunted World, The Sand Creek Massacre) has been invited to appear on The Gigi, Inc. Show, an entertainment, film, music and talk show reaching more than 100,000 households throughout Greater Los Angeles via Comcast/Time Warner Channels 24 and 35. Vasicek will travel to Los Angeles on November 29 to tape his appearance which will be aired two weeks later. He will give an interview about his current film project, The Sand Creek Massacre. His award-winning trailer and documentary short, The Sand Creek Massacre, will be aired along with the interview.



Ms. Iam, Producer, Talk Show Host, Singer and Actress (Random Hearts, Boomerang, The Insider, The Thomas Crown Affair, Best Man, Gloria, The Cosby Show, Law & Order, Exiled and New York Undercover), is committed to advancing multi-cultural identity via education through entertainment. Ms. Iam is also committed to bringing a message of love, peace, hope and truth. She says, “We’re doing great things, working with great people."

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